Although it is highly revered today, the music of the Miles Davis Nonet left the audiences of the late 1940s indifferent. The group was highly popular among other musicians, however, and served as an inspirational force to a multitude of other bands, as well as the different subsequent groups of the many musicians involved. Traces of the nonet’s music can be found in the early 1950s Miles Davis groups, the Gil Evans recordings (including the arranger’s wonderful collaborations with Miles), Mulligan’s pianoless quartet with Chet Baker, certain arrangements of the Stan Kenton orchestra and John Lewis’ (another member of the nonet) posterior Modern Jazz Quartet.
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User Ratings and Reviews
5 Stars This Blossom will never fade
Wonderful, witty and warm. Blossom Dearie is a national treasure and her late 50’s – early 60’s recordings for Verve make life worth living. There is no one like her in the world. Thank you for The Surrey With the Fringe On Top.
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The Very Best of Nat King Cole
Commemorating the 40th anniversary of Nat King Cole’s death in 1965, this compilation is the CD companion of an excellent DVD/documentary. Produced with the blessing of his estate, this disc is a thorough survey of his timeless genius–all recorded on the Capitol label. It captures his sumptuous and soothing tenor voice crooning on the pop tunes he made famous, like the ethereal “Nature Boy,” the melancholy “Mona Lisa,” and the bouncy “Straighten Up and Fly Right,” and “Route 66.” It also features Cole’s often-overlooked skills as an Earl Hines-style pianist. “Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps),” and “Darling, Je Vous Aime Beaucoup,” attest to his international appeal, and see if you can keep a dry eye when you listen to Natalie Cole’s posthumous, digitally-enhanced duet with her father on “Unforgettable.” From strings to big bands, Nat King Cole is never out of style. –Eugene Holley, Jr.
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Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from “I’ve Got The World On a String” to “Me and Mrs. Jones,” in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible.
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Madeleine Peyroux doesn’t simply interpret songs, she possesses them…and vice versa. Half the Perfect World is the much-anticipated follow-up to Peyroux’s breakthrough album, Careless Love, which drew critical raves from around the world and sold more than a million copies. This time around, Peyroux focuses primarily on songs written by artists from her lifetime, including Leonard Cohen, Tom Waits and Fred Neil. The album also features an unforgettable duet with k.d. lang on the Joni Mitchell classic “River” and four original songs co-written by Peyroux, including the single “I’m All Right” which she penned with producer Larry Klein and Steely Dan’s Walter Becker. Half the Perfect World is a sublime showcase for Peyroux’s eloquent, understated delivery and timeless one-of-a-kind voice.
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We live in challenging times. Every day, the headlines warn us of an unsettling economic upheaval, a precarious balance of world power, a life-threatening dose of nature’s fury, a contentious season of political transition and more. And then there are the personal struggles – the emotional upheavals in our individual lives that may not be part of the evening news, but are no less life-changing. After a while, the cumulative effect of these and countless other concerns weighs heavy on the heart and mind.
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Ry Cooder’s name has helped bring attention to this session, but it’s the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they’re putting forth very alive music, a reminder that aging doesn’t mean taking to bed. Barbarito Torres’s laoud solo on “El Cuarto de Tula” is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from “Stormy Weather” and some very distinct parallels to Hawaiian styles remind us of why it’s called “world music.” –Rickey Wright
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Released to coincide with the tenth anniversary of Frank Sinatra’s passing (May 14, 1998), Nothing But The Best salutes “The Voice” with an essential single-disc compilation of hits. It features 21 legendary songs from “The Chairman Of The Board,” plus a previously unissued version of “Body And Soul.” The collection is part of an international initiative between the newly created Frank Sinatra Enterprises (FSE), Warner Home Video, MGM Home Entertainment, Turner Classic Movies, and the United States Postal Service to honor Frank Sinatra, whose music and movies had an everlasting impact on popular culture. For a limited time, Nothing But The Best will contain a collectible, commemorative Sinatra stamp with official USPS first-day issue cancellation.
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Boasting an enthralling voice many have regarded as reminiscent of Billie Holiday’s, Madeleine Peyroux burst onto the music scene eight years ago with the extremely successful release of Dreamland. Championed by major publications such as The New York Times and Time Magazine, Peyroux was immediately recognized as a remarkably talented singer with a promising future. With the release of her long awaited follow-up album Careless Love, Peyroux’s potential as an artist is truly realized. Her smoky voice and knowing delivery make each song her own, whether she’s singing vintage tunes by W.C. Handy and Hank Williams, or contemporary songs by Leonard Cohen and Elliott Smith. Producer Larry Klein (Joni Mitchell, Shawn Colvin) weaves strands of acoustic blues, country ballads, classic jazz, torch songs and pop into a vibrant fabric that is both timeless and thoroughly up to date, with Peyroux’s arresting vocals always front and center.
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User Ratings and Reviews
5 Stars THIS IS THE GREATEST ALBUM, EVER MADE…PERIOD
THIS HAS BEEN MY FAVORITE ALBUM, FOR 31 YEARS SINCE IT’S RELEASE IN 1977.
NOW IN 2008, IT STILL IS TRULY THE GREATEST ALBUM OF ALL TIME.
THE SECOND BEST ALBUM OF ALL TIME IS PERFECT ISLAND NIGHTS – BOBBY CALDWELL, RELEASED IN 2005. CHECK IT OUT, YOU WILL NOT BE DISAPPOINTED..
GOD BLESS, THE GENIUSES DONALD FAGEN & WALTER BECKER, WE THANK GOD FOR THESE GREAT TALENTS. AMEN
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Released in January 1960, John Coltrane’s first album devoted entirely to his own compositions confirmed his towering command of tenor saxophone and his emerging power as a composer. Apprenticeships with Dizzy, Miles, and Monk had helped focus his furious, expansive solos, and his stamina and underlying sense of harmonic adventure brought Coltrane, at 33, to a new cusp–the polytonal “sheets of sound” that distinguished his marathon solos were offset by interludes of subtle, concise lyricism, embodied here in the tender “Naima.” That classic ballad is a calm refuge from the ecstatic, high-speed runs that spark the set’s up-tempo climaxes, which begin with the opening title song, itself a cornerstone of modern jazz composition. This exemplary reissue benefits from eight alternate takes of the original album’s seven stellar tracks, excellent remastering of the original tapes, and an expanded annotation. –Sam Sutherland
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Wilco guitarist Nels Cline, recently named a “Guitar God” by Rolling Stone, presents a brilliant solo CD on which he plays all the instruments. Covering an extraordinarily broad range of musical styles, this CD has a luscious acoustic feel, yet features a wide array of Nels’ wild electronic sounds. The title Coward is misleading as this intensely personal album exhibits a fearless musicianship and a willingness to take musical and emotional risks. Coward blends improvisation and composition with a huge and constantly changing sonic palette. Coward is a musical tour de force.
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While touring in support of his 2007 release, Back East, Redman decided he wanted to continue exploring sax/bass/drums trio format and started to compose new material with that often challenging configuration in mind. The result is Compass, a disc that Redman describes as ‘a journey for me…an expansion on, and an extension of Back East.’ Compass goes in an entirely new direction for Redman; its an exhilarating leap into uncharted territory. Compass is nothing short of mesmerizing, its conceptual risks paying off for musician and listener alike.
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“This recording was made to bring sonic pleasure to the listener,” says trumpeter/bandleader Roy Hargrove about his sublime new album, Earfood, his debut Groovin’ High/Emarcy Records. “Simple melodies moving around luscious chords allow [my working quintet] to capture attention and give a feeling of transcendence.” Nicknaming the album Sound Nutrition, Hargrove delivers a 13-song collection of nutritious post-bop jazz that includes seven of his originals and six covers that range from the upbeat Cedar Walton crowd-pleaser “I’m Not So Sure” that opens the CD to the New Orleans-styled endsong, Sam Cooke’s “Bring It On Home to Me.” “This is my favorite way to play,” says Hargrove, who, at 38, is one of a handful of jazz artists of his generation who have deservedly attained critical and commercial star status. “I like playing music that’s considered classic jazz, especially now when it’s hard to find musicians who deal with the jazz tradition. So many people are playing the `new and improved’ jazz, which alienates a lot of the audience. I’m not afraid to play the blues and soul, and I like to try to be innovative. But I prefer the standards sound. If you get too far from that, what’s the point?”
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The Best Of Chicago 40th Anniversary
Formed in its namesake city in 1967, Chicago is the first American band ever to chart albums in Billboard®’s Pop Top 40 in five consecutive decades. In 2002, Rhino entered into a long-term partnership with this extraordinary group to restore their extensive, genre-defying catalogue as well as develop new projects (such as 2006’s XXX, their first new studio album in a decade). Now Rhino adds to Chicago’s legacy and salutes their 40th anniversary with a newly compiled 2-CD collection that spans their entire recording history, from the stellar 1969 debut LP Chicago Transit Authority to Chicago XXX. With a career encompassing five consecutive #1 albums, 13 platinum albums, 21 Top 10 singles, and many other laurels, Chicago is among the most successfully charting American groups of all time.
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